Randy Cox
Visuals Editor, Portland Oregonian
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“My father was a Rolleiflex man, having picked up the photography bug as a soldier during WWII. At an early age I began to recognize the smell of fixer from his basement darkrooms. I think I was 12 when he got me my first
Kodak brownie and I was hooked on photography from them on.....
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“Graduating with a BJ degree in journalism from the University of Missouri, I went to work as a staff photographer at The Clarion-Ledger in Jackson, Mississippi. Then I took my first photo editing job at the tiny Coffeyville (KS) Journal where I began to edit and design pages. There I married a wonderful woman I'd met in journalism school, Joany Carlin. She worked at The Journal as a photographer, sometime religion editor and
sometime news editor.
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“In 1980 we took new positions at The Morning Call in Allentown, Pennsylvania. I was the photo editor; Joany was a photographer. That's when it dawned on me that the photo department and art department weren't working well with each other. That struck me as incredibly dumb. The visual departments at a newspaper, I reasoned, ought to be working hand-in-glove with each other rather than arguing with each other. I took up editing, management, and as much as possible, design full time.
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“In 1984, my good friend Marty Petty, lured me to the Hartford Courant as assistant managing editor for photography and graphics. Together, Marty and I built that staff and built a name for that newspaper.
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“After nine years Joany and I moved to Albuquerque, New Mexico, where she worked fulltime for The Tribune. I freelanced, consulted and designed part-time for the paper. During 1995 and 1996, I worked as the professional-in-residence at The Reynolds School of Journalism at The University of Nevada/Reno.
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“In 1997, Joany and I left New Mexico to join the staff at The Oregonian. I've served for ten years as the senior editor/visuals and have been honored to help build the photography, graphics and design staffs into some of the best in the country. Along the way, I've shared in a few awards from POY and SND and attended my share of conferences and workshops as a faculty member including The Electronic Photojournalism Workshop, The Missouri and Mountain Workshops and The Stan Kalish Picture-Editing Workshop. And, I was very fortunate to be able to edit the annual Pictures of the Year “Best of Photojournalism” book five times.”
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